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Global Design Conference

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The Most Influential and Comprehensive Design Conference in Asia

Since its inception, the Design Shanghai Design Forum has been one of the most influential and dynamic programmes in Asia, serving as a key platform for intellectual exchange and innovation within the global design community. In 2025, the forum will undergo an exciting transformation, rebranding as the Global Design Conference with the overarching theme Design for Humanity. This three-day event will feature discussions centred around six key sub-themes, bringing together leading experts and thought leaders from around the world to explore how design can shape the future of human society.

 

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Global Design Conference 2025 Theme

Design for Humanity

Twelve years ago, the very first edition of Design Shanghai took on the unique task of bridging the cultural divide between Chinese and Western design. At that time, the emergence of the consuming classes in China had created massive demand for western-style products, interiors and buildings. Which is why western companies flocked to exhibit in China, and ‘big names’ in western design and architecture were eager to address Chinese audiences, seeing huge opportunities in a comparatively untapped market.

Half a generation on, we are looking the other way. Now it is China that is leading the world in innovation, ingenuity and invention, and the west wants to engage at an ever-deeper level. It’s no accident that the world’s greatest architecture practices are building in China, or that China’s ‘Big Name’ architecture practices are building in the west – or indeed that the most exciting and groundbreaking design work at any level right now is happening in China.

For a generation, the imperatives of climate change, sustainability and carbon reduction have been gripping the world generally, and China specifically, with its own characteristic speed. But hard on the heels of the need for regenerative design and construction, re-useable components and materials and circular economics, has come the surging thrust for humans not just to buy and use differently, but to behave and to live differently. We won't survive if we don't change our tune from competition to collaboration.

This is why, as we proudly announce the transformation of the Design Shanghai Forum into ‘Design for Humanity’, the Design Shanghai Global Design Conference, we focus on what design can do not only to change the world, but to change ourselves; to change our own behaviour. Those writing and talking about sustainability for more than 30 years now have said: ‘This is what we must do’ ... but not said how. Design for Humanity explores how we can re-design design, how we collaborate instead of competing, how we turn our efforts for the greater good; how we design ourselves – and what will always protect us from being taken over by the machines.

With Design Shanghai’s established global reach and reputation, we enter a new, exciting and challenging time for Design. There is no better platform in the world to discuss, explore and arrive at a consensus about where we are going and what to do when we get there.

Design for Humanity, the Global Design Conference, 4 – 6 June 2025. You simply cannot afford to miss this.

 

Aidan Walker,
Design Shanghai Forum Programme Director

Six Key Sub-themes

Day 1 Morning

Home, Urbanism/Ruralism, Culture and Community

‘Home’ in the city and the country: a city needs a relationship with nature, in the play between urbanism and ‘ruralism’. Plus the new idea of the city must include a new idea of community; how does this affect both urban and residential design?

Day 1 Afternoon

Home from Home, Privacy, Culture, Emotion and Serenity

Retail: The bookshop as a place of worship, and in unlikely rural outposts, as a privately uplifting space.

Hospitality: ’Home from Home’ means Wellbeing, plus connection with the natural world and materials. This is design for serenity – plus emotion as a function of design.

Day 2 Morning

The World of Work, Sustainability, Infrastructure and Social Change

Major office developments, infrastructure that refers to local tradition or the natural world, and workplace design that responds to – and triggers – social change. Plus an energy efficient building which is itself a green manifesto.

Day 2 Afternoon

Culture, Craft, Tradition vs Modernity in the City and the Country, Materials and Process at the Heart of Community

Two cultural buildings that lift the spirit and drive behaviour, referring to nature and classical architecture. Local craftsmanship and wellbeing in form and materials; rural designs integrate art, architecture and nature.

Day 3 Morning

The Future, Materials, Technology, Responsive buildings, Joy and Emotion as Function

Will Artificial Intelligence make us all redundant? We have machine intelligence, but do we have machine ethics? How will tech wizardry help emotional engagement – the Architecture of Joy?
Will buildings know us, talk to us, persuade us to buy stuff? Is technology making or breaking our connection with nature? How does AI serve sustainability? And with AI-driven art, how do we occupy worlds without boundaries?

Day 3 Afternoon

Contemplation, Calm, Serenity, Inner Space

‘Projects of uplift’ of all shapes and sizes, using different materials and forms, responding to their environment and providing spiritual refreshment and retreat. A simple garden pavilion, an eerily floating chapel, a gallery space so sparse and simple, it seems no human could set foot, a retreat hotel invoking a Chinese building tradition – all demonstrate how our media-saturated world needs the peace and quiet of humanity.

2025 Global Design Conference Schedule

4 June

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  1. We are proud to present a global survey, as exhaustive as possible, of design that represents and expresses the new understanding of humanity – or harmony. Ideas of Community; Energy; Infrastructure; Tradition and Modernity; Work, Leisure and Home; Culture; Wellbeing; Retail, the Digital Revolution, Machine Intelligence, Materials … the list goes on and on.
  2. Zhongguancun International Innovation Center
  3. "Pixel, Abu Dhabi, was designed to challenge the typology that prioritises luxury over community," say designers MVRDV. Instead of isolated towers made palatable by a veneer of luxury finishes, Pixel makes it possible for residents to spend time outdoors and become friends with their neighbours, encouraging an enjoyable, environmentally and socially  sustainable way of life.

  4. C40 Cities is a global network of mayors of the world’s leading cities united in action to confront the climate crisis, committed to a science-based collaborative approach to cut emissions and build healthy, equitable and resilient communities. 
  5. The Easyhome Huanggang Vertical Forest City complex defines a new type of green architecture, characterised by alternating open balconies and closed loggias accentuated by trees and shrubs that can grow freely in height.

    The Vertical Forest transforms the quality of living spaces, giving people the opportunity to experience urban space but feel the comfort of being surrounded by nature. 

  6. "This looks like the beginning of the future" said a visitor to The Phoenix, a sustainable neighbourhood development in Sussex, UK. Constructed primarily in sustainable timber, powered by renewable energy and designed to encourage a culture of sharing, The Phoenix is a new and regenerative way to make a place, build a community and create a productive, circular local economy.

  7. Atelier Li's Pudong villa overlooks an orchard in rural Shanghai, melting the boundaries between interior and exterior, while Xian Architects re-imagines the traditional Zheng Fang courtyard-based layout to engage with landscape and community. "The architecture becomes the eyes of the landscape, the ears of the environment, and the horn of signals," say the architects.
  8. The bookshop as a personal space - as a cathedral, as a rural retreat, as a piece of history. TAO's mountaintop bookstore overlooks the Nujiang Grand Canyon, while their Weishan Chongzheng Academy Bookstore repurposes a 500-year old  academy. X-Living's Tianjin Zhongshuge bookstore uses 400,000 custom-designed bricks to create a rising succession of spaces. "The design aims to blur the physical boundaries of the architecture," says principal Li Xiang, "suggesting that the boundaries of knowledge and cognition are vague, yet the spiritual core is clear and resolute."
  9. AIM Architecture' spectacular Spine Resort emerges onto its rural site like a cluster of ecosystems. Grandiose and intimate at the same time, the biophilic design dynamically balances architecture, nature and people, creating localized connections while framing panoramic views.
    The core of Safdie Architects’ design for the new  Singapore EDITION hotel, blending luxury with modernism, is its seamless integration with nature. Sweeping vistas and lush greenery, from the sky park to the sunken garden, are everywhere. At the hqeart is a timber-decked garden courtyard, framed by shallow, black-tiled pools and tropical foliage. Light floods the corridors, plant-filled conservatory, and public spaces, creating a serene escape. 

5 June

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  1. 1. The 185,000 sqm OPPO HQ in Shenzhen works both for the city and the employees of China's leading smartphone manufacturer. Large atrium spaces, obstruction-free floors, abundant natural light and social spaces all generate engagement and spontaneity; the building also addresses the city with a public walkway, shops and galleries.

    2. The Shanghai HQ for CECEP, China's leading renewnable energy company, sets new benchmarks for the city in energy efficeny and sustainability. Three towers are linked with a park connecting directly with the city, creating new public spaces in a natural environment.

  2. The Shenzhen Wave, the new hq for ZTE: The distinctive design is imagined as a dynamic, living organism that generates innovation, cutting-edge ideas and new ways of working and living together. A sinuous diagonal "Wave" cuts through the building and links its multiple levels, lifting the structure off the ground and cresting up through the roof. This key element becomes an open and experiential pathway through the building for light, views and circulation, encouraging spontaneous encounters between users throughout the structure.
  3. Embodying TOD principles, the award-winning Chengdu Tianfu New Station makes the traffic hub the centre of urban life, laying out the functions in 3D so that the rail hub and the city blend into one. Local ecological resources are used to integrate the hub with nature; "building a nest to attract phoenixes", the project forms an urban living room for people.
  4. The sinuous, translucent form of the Yoohoo Museum in Hangzhou takes inspiration from the 2500-year old Grand Canal and Jade - China's iconic precious stone - which symbolises purity, connection and reverence. A magical project that addresses heaven and earth, and combines two major traditional elements of Chinese culture.

  5. The long awaited Beijing City Library is just about as iconic as it gets. The glass-lined building, filled with towering tree-like columns and rooms disguised as hills, is designed  to "reinstate the library's relevance in the 21st century" and aims to offer a "new vision" for the typology. "The terraced landscape and tree-like columns invite visitors to lift their gaze and focus at a distance, taking in the bigger picture," says Snøhetta Asia Pacific director Robert Greenwood. "This is a place where you can be sitting under a tree, reading your favorite book."
  6. Our "Design Triple" session places three museums together, each one of which pushes the boundaries of the accepted functions of a cultural institution. Muda Architects' Tianfu Museum of Chinese Medicine is designed as a giant Taiji diagram, or yin-yang symbol, to represent the philosophy of holistic traditional Chinese medicine; Aurora Design's HumShan Ding You Feng photography museum draws from the local landscape, the architecture reflecting harmony between mountains, water, and the built environment; and UN Studio's Chungnam Art Museum turns itself  "inside out" to address the community with vibrant interactive spaces.

6 June

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  1. The Fengying Stone Art Museum is a "jewel" of only 200 sq meters, a beautiful and mysterious square building whose exterior wall is formed with gaps through which people can peek inside and see three different-shaped light courtyards. Bamboo layers create an ethereal oriental atmosphere for the spaces. In a self-referential move the architects have used local stone 654 for the exterior wall – one of the most commonly used stone materials in the sculpture exhibits.
  2. Antistatics conceived the façade of the Beijing Vicutu store as an array of interwoven interlaced aluminium forms, generated to suggest the structure of cloth fabric. "A respite from the digital realm", says the promotional text – delivered by the highly advanced, digitally driven design and fabrication techniques. Do projects like this lead to the next step – AI-driven "responsive buildings"? And is it the retail sector that will drive these advances?
  3. Embodying the principles of Thomas Heatherwick's groundbreaking and provocative "Humanise" philosophy, the massive mixed-use Xi'an CCBD development – a neighbourhood of 155,000 sq m -  blends a retail podium with walkable streets, terraces and open plazas, offices, apartments, accommodation, green spaces, and a vertical park. Local craftspeople produced over 100,000 tiles, giving a tactile as well as a visual experience, while the spectacular "Xi'an Tree" rises in a 57m-high sequence of cascading gardens following the biomes of the ancient Silk Route.
  4. The biggest question facing creative in all disciplines all over the world. Put simply: will the machines take over and put us out of a job? As the technical development of AI races far ahead of the ethical and human issues it impacts, architects and designers tussle with the key differences between machine and human Intelligence – and "ideation".

  5. The Design for Humanity Finale of Peace, Harmony and Humanity – we have invited designers of ‘Spaces for Inner Space’ of serenity and spiritual uplift to present their work, then exchange and discuss their multiple approaches. There is a pressing need for all people to have access to spaces that engender contemplation, refreshment and renewal; we explore ways to serve that need using light and shade, engagement with nature, technology, demountable structure and local history.
  6. The 3-to-1 Pavilion design is the integration of time, space, and people, with a focus on "in-between" or interstitial spaces, say the designers. It is a serene sanctuary for tea drinking, contemplation, and social gatherings in a Shanghai garden setting.
  7. Sunk into a pond in Hefei City, Anhui Province, the pavilion is made from 469 bespoke pieces of CNC-cut metal CNC. Drawing inspiration from birds' nests and eggshells, the pavilion's acoustic design creates an echoing effect that promotes a sense of inner contemplation and peace.
  8. The Cloud Retreat Hotel Ganzhou uses contemporary spatial forms and material colours – the red of local Ganzhou pigment - to reconstruct the living memory of Hakka Enclosed houses. "With a geometric processing of the spaces, collaging and overlapping, we create a living experience linking local memory and contemporary quality," say the designers.
  9. The speech will focus on the importance of sound and acoustics within spatial design. Unknown Works is fascinated by how our perception of sound impacts our experience of the built environment, especially when it comes to crafting spaces for introspection and calm. The talk will contextualise the studio's research through the development and construction of The Armadillo, a groundbreaking experimental CLT pavilion designed and built for both personal and collective enjoyment of sound. The talk will also discuss the importance of sustainability in construction and showcase how the structure has been designed with adaptability and reuse in mind.

2025 Speakers


 

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